Topic: Lena Waithe

4 chapters across the catalog

17: Shaft Stache
1:26 - 4:51

17: Shaft Stache

Queen and Slim Trailer, Trauma-Based Entertainment Propaganda

The hosts analyze the trailer for the Universal Pictures film Queen and Slim, written by Lena Waithe and directed by Melina Matsoukas. The film is characterized as a piece of trauma-based entertainment propaganda designed to elicit specific social and political reactions. The discussion notes the long promotional lead time for the movie, comparing its marketing strategy to major franchises like Star Wars.

17: Shaft Stache
20:09 - 24:31

17: Shaft Stache

Lena Waithe, Pan-Africanism and Ancestral History Claims

Writer Lena Waithe addresses the controversy of British actors in American roles during an interview on Hot 97, calling the argument "divisive." She claims that all black people share a common struggle and that their "ancestors helped build" America regardless of their specific origin. The hosts strongly disagree with this statement, arguing it erases the specific history of native black Americans and ADOS.

17: Shaft Stache
27:46 - 30:14

17: Shaft Stache

Character Prototypes, Malcolm X and Martin Luther King Ideologies

Lena Waithe explains that the characters in Queen and Slim were designed as prototypes for the black community, incorporating ideologies from Malcolm X and Martin Luther King Jr. She notes that the names "Queen" and "Slim" were chosen to be universal nicknames rather than specific identities. The hosts argue this is a deliberate loading of characters with specific political and social ideologies.

17: Shaft Stache
32:40 - 36:14

17: Shaft Stache

The White Gaze, Hollywood Gatekeeping and Casting Calls

Lena Waithe discusses protecting her work from the "white gaze" and ensuring the story remains authentic to the black community. However, the hosts point to leaked casting calls and script descriptions—such as comparing a character to "Chicken George"—as evidence that the film still caters to white-defined tropes. They characterize Waithe as a gatekeeper who provides a version of the black experience palatable to white-owned studios.