5 chapters across the catalog
In an interview on the "No Jumper" podcast, host Adam 22 and guest "Wheezy" discuss Kevin Samuels. Wheezy labels Samuels a "terrible person" for "shitting on Black girls," while Adam 22 argues that Samuels provided a necessary reality check for women with unrealistic standards. The guest expresses a desire for Dr. Umar Johnson to "tear his ass up," highlighting the internal conflicts within Black intellectual and social circles.
The hosts compare Kevin Samuels' "harsh" critiques to Howard Stern's vitriolic attacks on Wendy Williams, where he used extreme profanity and gendered slurs. They point out that while Samuels is labeled a misogynist, Stern remains a "Hollywood insider" with protected status. The segment highlights the hypocrisy of media figures who "clap back" at critics with far more aggression than Samuels ever displayed.
The Breakfast Club discusses Howard Stern's eventual apology to Wendy Williams in the Hollywood Reporter after his three-hour on-air tirade. The hosts argue that the radio personalities at the Breakfast Club "know their place" and will not truly challenge Stern because he holds legitimate power in the industry. This is used to illustrate how the media elite protect their own while sacrificing outsiders like Kevin Samuels.
The hosts discuss Kevin Jennings, Obama's "Safe Schools" czar, and his alleged praise for Harry Hay, a founder of the North American Man-Boy Love Association (NAMLA). They play a vintage NAMLA phone message from the Howard Stern show to illustrate the group's "boy lover" rhetoric. Mo notes that the "times will change" message in the recording seems to have come to fruition in the modern era.
Shortly before her death, comedian Joan Rivers told a reporter that "we already have" a gay president in Obama and referred to Michelle Obama as "transgender." Rivers, known for her deep ties to the LGBTQ community and show business, made the comments nonchalantly. The segment notes the media's silence on these remarks compared to the outrage sparked by less prominent critics.
