Topic: Smithsonian

The discussion centers on the National Museum of African American History and Culture (NMAAHC) in Washington, D.C., and its role as a perceived propaganda hub. Mo highlights a Smithsonian document regarding "whiteness" that was released in late 2020, which he links to recent corporate diversity training trends. They examine the museum's donor list, noting that major Fortune 500 companies like American Express and Boeing fund these narratives to avoid being targeted by activists.

The hosts critique the Smithsonian's website for labeling traits like the scientific method, rational thinking, and the nuclear family as aspects of "whiteness." Mo argues that these are universal tools for success and that labeling them as white is destructive to Black progress. They revisit the "super predator" scare of the 1990s as an example of how academic "experts" use flawed data to create harmful social narratives.

The hosts discuss a controversial section of the National Museum of African American History's website regarding "whiteness." The site reportedly listed traits like "rational linear thinking," "hard work," and "the nuclear family" as aspects of white culture. The hosts mock the idea that these universal values are exclusive to one race.

A historical clip features Justice Clarence Thomas describing his 1991 confirmation hearings as a "high-tech lynching for uppity blacks" who think for themselves. The discussion explores how Thomas has been marginalized by the black liberal establishment, noting that figures like NeNe Leakes were included in the African American Museum before him. The hosts also recall a "Different World" episode produced by Bill Cosby that demonized Thomas.

Adam Curry and Mo conclude that the establishment's attacks prove the high value of the black vote. Mo predicts Stacey Abrams will be the eventual VP pick because she fits the "stereotypical black woman" mold better than Harris, and Curry jokes about sending the episode to the Smithsonian.

The hosts give a final sign-off, jokingly suggesting the episode is "Smithsonian worthy." The show ends with a soulful musical track titled "I'm a Victim of Loving You," playing on the episode's central theme of victimization.