19 chapters across the catalog
A pattern of legal actions against Black Democratic politicians suggests a potential "purge" or warning system within the party. Recent headlines involving James Clyburn, Maxine Waters, and former New York Lieutenant Governor Brian Benjamin are cited as evidence of selective enforcement. The discussion posits that the Democratic Party is pivoting toward a new class of candidates, such as Charles Booker, while distancing itself from older or "off-leash" figures.
A brief discussion on the controversy regarding government-funded "safe smoking kits." Mo questions the terminology of "crack pipes" versus "meth pipes" and how the language is used to target specific racial demographics. He also makes a passing reference to Maxine Waters and historical allegations of CIA involvement in the drug trade.
The discussion focuses on an article by Caitlin Greenidge titled "Megan Thee Stallion and Representative Waters on Misogynoir." The term "misogynoir" is defined as a blend of misogyny and the French word for black, specifically targeting black women. The narrative explores how Megan Thee Stallion's public image as an educated victim of a crime involving Tory Lanez makes her a valuable asset for globalist and liberal political agendas.
Maxine Waters commends Megan Thee Stallion for pursuing a college degree, leading to a discussion on the symbolic value of education in the black community. The hosts describe degrees as "freedom papers" or a ticket into the established system, while suggesting that Bitcoin could serve as a modern alternative for financial autonomy. They also address "real racism" in the form of lower expectations and pandering toward educated black individuals.
The discussion posits that figures like Maxine Waters use "witchcraft"—defined here as psychological control and shaming—to harness votes and maintain reliance on the system. The hosts argue that this is part of a broader globalist plan to disrupt the natural order between men and women. They cite Candace Owens as an example of a woman who is shamed by the establishment because her message does not align with the preferred narrative.
Adam Curry and Mo Facts introduce episode 63, titled "WAP," noting it will be a two-part series. The discussion centers on the cultural impact of the song "WAP" and the unexpected endorsement of Megan Thee Stallion by Representative Maxine Waters. A parental guidance warning is issued due to the explicit nature of the subject matter.
Representative Maxine Waters participated in a conversation with Megan Thee Stallion for Harper's Bazaar, where she commended the rapper's "audacity" in the song "WAP." The segment explores how this story was covered across different media outlets, including The Breakfast Club and the Ricky Smiley Morning Show. The hosts characterize Waters' support as a form of political pandering to a younger demographic.
The hosts analyze the specific dialogue between Maxine Waters and Megan Thee Stallion, where Waters encourages the rapper to ignore critics. They argue that Megan is being groomed as a more "intelligent" successor to Cardi B to push specific messages. The segment highlights the contradiction of an 82-year-old woman from a "modest" generation endorsing content that perpetuates the very stereotypes Black women previously fought to overcome.
Maxine Waters discusses building community by "meeting people where they are." The hosts interpret this as an attempt to bridge the gap between "ratchet" sexualized culture and affluent, educated Black women. They argue that political groups are trying to galvanize Black women as they perceive a loss of support from Black men who are becoming more politically independent.
A clip features Maxine Waters calling Black men who support Donald Trump "crazy" and "shameful," claiming they do not understand how government works. The hosts contrast this harsh rhetoric with her "meet them where they are" approach toward Megan Thee Stallion. They highlight the hypocrisy of her attacking independent thinkers like Ice Cube while supporting the degradation found in gangsta rap.
Maxine Waters tells Megan Thee Stallion she "doesn't have to go to nobody's school" because she has already "made it," which the hosts view as a negative message. Megan insists on finishing her degree to honor her family. The hosts argue that college degrees have transitioned from "commodities" (representing skills) to "fiat" (representing mere clout), leading to a generation burdened by debt for low-value degrees.
The hosts review the 1972 film "Black Girl" to illustrate the educational expectations of Maxine Waters' generation. The film depicts a family's struggle with a daughter who drops out of school to pursue dancing, which was then viewed as "popping your tail" and a step toward sex work. This historical perspective is used to highlight Waters' current "disingenuous" support for explicit content.
Congresswoman Maxine Waters' call for protesters to get "more confrontational" is discussed as a potential ground for Derek Chauvin's legal appeal. The hosts speculate that the media and politicians may have intentionally "tampered" with the case to create a prolonged legal saga. Concerns are raised about Chauvin's safety in prison, referencing the "Epstein treatment" as a possible outcome.
Tucker Carlson's critique of Maxine Waters' rhetoric is reviewed, focusing on her demands for a guilty verdict and her calls for confrontation. The hosts highlight the perceived double standard between the condemnation of Donald Trump's January 6th speech and the defense of Waters' "incendiary" language. Waters is described as a "pawn" used to provoke reactions while being shielded by her status.
PBS reporter Yamiche Alcindor is criticized for her defense of Maxine Waters during a White House press briefing. The hosts label Alcindor a "propagandist" for state media, arguing that she reframed Waters' calls for confrontation as standard civil rights activism. This segment highlights the synergy between the executive branch and certain media outlets.
Maxine Waters is criticized for her comments regarding Black men who support Donald Trump, calling them "crazy" and "shameful." The hosts discuss the crackdown on diversity of thought within the Black community, mentioning Lil Boosie being banned from a gym for his political views. They argue that the political establishment is moving to isolate anyone who deviates from the prescribed narrative.
Congresswoman Maxine Waters attacks Black men who support Trump, calling them "crazy" and claiming they don't know how to put together government proposals. The hosts describe her comments as "super insulting" and "unconscionable," noting that she has been in office for 35 years with little to show for it.
Veteran correspondent Sarah McLendon confronts President Bill Clinton regarding the drug running at Mina, Arkansas. Clinton denies any state involvement, shifting responsibility to federal jurisdiction and previous administrations. The segment highlights the "performative" nature of his response and mentions Maxine Waters' past congressional hearings on the same subject.
Investigative journalist Gary Webb's "Dark Alliance" series is revisited, detailing CIA involvement in drug trafficking to fund the Contra war in Nicaragua. This investigation exposed how cocaine was funneled into American inner cities, sparking the crack epidemic of the 1980s. The hosts discuss the suspicious nature of Webb's death and the subsequent silence of politicians like Maxine Waters, who once championed these claims before becoming part of the establishment.
