Topic: Mofax

Adam and Mo conclude the final donation segment, thanking listeners for streaming Satoshis and sending PayPal contributions. They reflect on their decision to avoid "hot takes" on stories like George Floyd until the facts were fully developed. Mo Facts emphasizes that listener support was vital during his period of unemployment.

A new round of donor acknowledgments includes a cryptic note about "white supremacy" and "light supremacy." The hosts thank various supporters for their contributions in fiat and Bitcoin (Satoshis) via Podcasting 2.0 apps, emphasizing that these funds support their independence.

The hosts wrap up the episode, promising to continue the discussion in episode 94. The show closes with Kendrick Lamar's For Sale? (Interlude), which features the character "Lucy" (Lucifer) tempting the artist with a contract, reinforcing the episode's themes of industry control and spiritual warfare.

Adam Curry and Mo Facts sign off, thanking the audience and their producers for another successful episode. They reiterate their commitment to the "value for value" model and the search for truth. The episode ends with a musical track featuring lyrics about a "young trainee" and an "interview," echoing the themes of media recruitment discussed earlier.

Mo Facts and Adam Curry conclude the episode by reflecting on how the fear of disease changes human habits, even for rational people. They promise to return to a more frequent schedule and encourage listeners to "pay attention to everything" so the truth can reveal itself. The show ends with their traditional sign-off and a reminder to visit the show's website.

Adam Curry and Mo Facts wrap up episode 83, encouraging listeners to pay attention to the truth as it reveals itself. They promise to continue exploring the "fourth person in the room" and other political mysteries in future episodes. The show ends with a musical track featuring themes of rainbows and dreams.

Adam Curry and MoFax open episode 82, titled "You Can't Make This Shit Up," from the Texas Hill Country and Northern Virginia. The hosts discuss technical challenges with travel and internet in rural areas before transitioning to podcast business updates. Plans are announced to implement live audio streaming for future recordings and to release "lost tapes" from previous sessions to the audience.

The hosts conclude the second block of producer thank-yous, acknowledging donors like Brandy Bledsoe, Adrian Romaniello, and Anthony Malik (Uber Tramp). They emphasize the need for "financial sovereignty" and encourage listeners to use modern podcast apps to stream Satoshis. The segment reiterates that the show's survival depends on the community's willingness to "de-deadbeat" themselves through regular support.

Adam Curry and Mo Fax conclude the episode by emphasizing the need for parallel social networks, with plans to launch a Mastodon server at mofax.social. They reiterate the importance of seeking first to understand and then to be understood. The show ends with a musical track as the hosts encourage listeners to pay attention to everything so the truth can reveal itself.

The hosts review listener feedback regarding the 1994 Crime Bill and the potential for a new "racist" crime bill to be pinned on future administrations. They emphasize that their show focuses on the "overall strategy" of global control rather than just tactical political maneuvers. Final donor thank-yous are given to the "MoFax family" and the "Fax Machine" community for their continued support through various payment platforms.

The episode concludes with a reflection on the song "Strange Fruit," famously performed by Billie Holiday, which describes the horrors of lynching. The hosts announce the launch of faxmachine.com as a new portal for the show. Mo Fax leaves the audience with his signature sign-off, urging listeners to pay attention to everything so that the truth may reveal itself, followed by the full audio of the song.

In the final segment, Mo emphasizes that logic and reason are the tools needed to counter the "magical thinking" of modern social movements. He defends the role of the housewife as one of the most difficult and demeaned jobs in society. The show concludes with the song "Femme Fatale" by The Velvet Underground, which Mo uses to underscore the theme of the "Mother Goddess" narrative.

Adam Curry welcomes listeners to episode 55 of MoFacts, celebrating co-host Moe's 40th birthday. Moe describes the "blur" of family birthdays and holidays occurring between October and January. The hosts introduce the central theme of the episode: how a mindset can transform into a "mind trap."

Adam and Moe wrap up the four-hour episode, emphasizing the importance of independent, decentralized media like podcasting. They encourage listeners to support the show via MoFacts.com. The episode concludes with a song titled "Man on Man," featuring lyrics about a chance encounter in the middle of France.

Adam Curry and Mo Facts open episode 48 after a one-week hiatus. Curry discusses his upcoming interview on the Joe Rogan Experience and mentions a DM from Hotep Jesus. They highlight the "Mo Agenda" meetups organized via noagendameetups.com, specifically a recent gathering of a dozen people in Michigan. The hosts celebrate birthdays for Curry and a fan named Uncle Richard before spinning the "wheel of topics."

The hosts read letters from Associate Executive Producers, many of whom are "Ronamo" converts (Rogan to No Agenda to Mo Facts). They discuss potential names for their community members, rejecting "The Klan" in favor of "Family" or "Tribe." A new term, "de-deadbeating," is introduced to replace "de-douching" for those who transition from listeners to producers.

The episode concludes with a reminder to visit MoFax.com and MoFundMe.com to support the show. The hosts sign off, and the program ends with Frank Sinatra's "My Way," which is jokingly referred to as the "national anthem" for the episode. The lyrics emphasize living life without exemption and taking the blows while doing it "my way."

Mo'fax coins "Mo'fax Law," stating that the longer a racial conversation continues, the probability of Chicago being mentioned approaches one. He introduces Otis McDonald, a 76-year-old Chicago resident who sued the city over its handgun ban. McDonald argued that as his neighborhood became more dangerous, he needed the right to protect his home, eventually taking the case to the Supreme Court.

The hosts conclude the episode by encouraging listeners to pay attention to everything so the truth can reveal itself. They invite continued support through their independent funding platforms before closing with the show's signature music.

The episode concludes with a reminder of the "value for value" model and a final thank you to the producers. The show ends with the song "Grandma's Hands" by Bill Withers, reinforcing the theme of the Black matriarch and the cultural importance of the grandmother figure. The hosts encourage listeners to "pay attention to everything" as the truth reveals itself.